The Arabic Type Design Archive

Born in 1983 in Tabriz Typeface & Packaging designer Math expert I have been working as a graphic and packaging designer since 2009, and have been interested in typeface design for several years

An award winning graphic designer based in Cairo, Egypt, specialized in Arabic type design and illustration. She earned her BFA in graphic design from Virginia Commonwealth University in 2016. In her work, Maha tries to bridge her two interests, explore how both fields can enrich one another, and respond to today’s needs. Guided as well as inspired by the vast, diverse Arab and Islamic visual heritage and the natural world. This process is best displayed in her debut typeface Hudhud, which is originally made to respond to the need of a friendly Arabic typeface to work in harmony with organic hand drawn illustrations, with respect to the script grammar and structure. Hudhud was awarded the certificate for typographic excellence from TDC and won 3rd place at the 11th Granshan type design competition.

A graphic designer and type designer. Born in 2006, he has been professionally engaged in Persian type design since 2022. In his early years, his focus was on graphic design, but gradually, with a deeper involvement in typeface design, he shaped his professional path. He is the designer of the free fonts Rooyin, Sorena, and Estedad Mad, which reflect his approach to simplicity, readability, and the contemporary needs of Persian typography.

A Lebanese-Russian type and graphic designer based in Florence (Italy) who collaborates on Arabic type families, notably contributing the Arabic version of the Tarif family for the foundry Zetafonts (2019)

I have a degree in Graphic Design and have been a member of the Iranian Graphic Designers Society (since 1987). I am involved in typeface design, font development, and logotype design. I have publicly released the Potk and Borna fonts, and I designed the Ayandeh, Ali Baba, Bonyad Koodak, Fanoos, and Inverse fonts in collaboration with Reza Bakhtiari Fard. The design and creation of the Kamand font in collaboration with Omid Emamian, as well as the development of the Valman font, are among my latest activities. I have held various workshops and courses in the field of typography, and I received the third Grand Prize at the 2021-2022 Granshan competition in Armenia for the Ali Baba font and a special award for the Potk font.

Protype is an independent type foundry and a place to explore beautifully typefaces that are made with love.

Monotype Fonts transforms the way modern brands work by making font licensing and management simple, secure, and scalable across teams.

Babelfont is an independent type foundry in Paris and Marrakech. We design multiscript typefaces — Arabic, Latin, Tifinagh, and Korean. Our goal is simple: connect cultures through letterforms.
 The language of the future is multiscript.

TNTypography in Paris, and specializes in Arabic typeface design, typography and custom type. A 2006 graduate in the Master of Arts Typeface Design programme at the Department of Typography and Visual Communication, University of Reading, he also studied Arabic script at the École Supérier d'Art et de Design d'Amiens, France. Titus holds a PhD in Typography & Graphic Communication from the University of Reading, UK.

DSType is an independent type foundry, founded in 1994. Since then we had the opportunity to work with some of the world’s most recognized companies, brands, and publications while creating an extensive and comprehensive catalog of high-quality typefaces. We have received numerous awards, including a Certificate of Excellence in Type Design by the Type Directors Club and we have been featured in several magazines, newspapers, books, and exhibitions worldwide. You will be able to see our work at most newsstands, several packaging, world-known brands, and global scale events.