
he curved lines and soft forms of the Bahar font evoke feelings of closeness and warmth—like a pleasant friend or a kind companion. As a fresh style introduced to the field of Persian fonts, Bahar has the potential to be expanded into different weights and styles, which I will explore in the near future. One of its key features is the spiral-like curves that appear at the ends of both isolated and connected letters. These curves are designed to enhance the surrounding space of the letters and to support harmony in compositions such as logotypes, headlines, advertising slogans, and typographic layouts.
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